Monday, February 28. 2011
new product placement rules on British TV
I can’t help but wonder what impact this will really have for the TV landscape and communications professionals.
Some reports suggest as much as up to 5% of total TV revenue will come via this route, but at the lower end some are predicting £35m per year . . . so is it really worth it . . . and what impact will it have on the communications and editorial sectors that focus on delivering the subliminal messaging of brand placement.

So as of today lets all be looking out for the P sign (above) at the start of a programme, which if based on current information would suggest only a few programmes as yet, and means that for now the only reference I’m going to see for a P will be if I’m watching reports of years gone by from decade of Bob Holness and Blockbusters and ‘Can I have a P please Bob’
As a broadcast evangelist it is my job to digest all information and understand it, and as such share it also so if you have any queries or want some information on how it could work or impact on you and your brand please feel free to email me at TVplacement@markettiers4dc.com
Sunday, February 27. 2011
That’s quite a bit to watch! In fact, 42% of all time spent online includes exposure to online videos with 6.65bn videos having been viewed in September 2010 by 35.1m viewers in the UK spending over 561m hours watching them (comScore). And if you think that’s a lot, Cisco say that by 2013, 90% of internet bandwidth will be video.
We can therefore take it as read that as a brand, to communicate with your audience, you will need to either advertise around video content, or produce it yourselves – and if you know anything about markettiers4dc, you’ll know which of those two camps we sit in (that’s the one that says produce your own by the way!).
Now, sometimes (actually, quite often), when it comes to broadcast PR & marketing, we do something at markettiers4dc that no one else has done before and so we just have to shout about it. So is the case with the latest addition to our armoury in terms of ways to engage with your audience through YouTube, by creating a truly interactive retail channel for your brand.
OK, we’re not exactly the first to create a custom retail channel on YouTube – successful examples from 2010 include French Connection and Waitrose. However, what we’ve managed to achieve, by working with the team at Google, is to integrate our LinkTo(TM) technology that has proved successful in increasing average shopping baskets for brands such as Jaeger, into the YouTube environment. We will be launching this in the next few months for Start Rite Shoes.
Whereas the likes of French Connection have to work with the limitations of YouTube’s annotations, we can integrate all the functionality of LinkTo into the channel that no one else has currently done.
What does this mean exactly? Well, we can track any product as it moves across the video, making it interactive so that a viewer can click on it for more information, pausing the video, so if interested, can then add it into their shopping basket on your ecommerce site, before returning to the video to carry on viewing and hopefully shopping for more items. The product data that they see when they click on the item can be called in live from an RSS feed, so if you are running promotions, the prices can be updated automatically. Jaeger, whose catwalk videos we make interactive on their website, have seen average shopping baskets increase by over 300% from people shopping through the LinkTo video, so we know it works!
We can also integrate data collection forms into the interactive hot spots, so if you want to use the video to build a mailing list, we can help do that too. Basically, there isn’t much we can’t do, so challenge us and send a brief to russ@markettiers4dc.com.
So great! You’ve decided to produce some video content, let’s assume the most engaging, exciting, funny, informative video on your chosen topic. You’ve uploaded it to YouTube, perhaps in your retail channel. The question is how do you get anyone to watch it? Well that’s where we recommend you use every network available to you on our Tube map analogy (below).
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Broadcast, online and social media are living breathing interconnecting networks of channels that can be taken advantage of to take your message to your audience, or drive your audience to you.
Long gone are the days when your broadcast strategy should be all about a ‘radio day’ to raise awareness of your campaign – in fact, it never should have been just that – but particularly now if you have video collateral that you want people to see.
The good news is that any one of our tube lines will enable you to engage with your audience, but just imagine if you had the time and budget to use all of them when relevant. Integrating your broadcast and social media activity is when you will get the best return on your investment by driving advocacy through the many seamless connections available to reach your audience.
Thursday, February 17. 2011
Sound Creative, part of the markettiers4dc group of companies delivered an integrated, cross-platform, broadcast campaign, fronted by famous Jordanian export and TV favourite Nadia Sawalha. As one of the famous Sawalha acting family, Nadia has starred in the likes of Eastenders, is a regular on Loose Women and even won Celebrity Masterchef.
As well as her obvious family credentials enabling her to act as an authority on promoting Jordan – it
was Nadia’s sultry and unmistakeable tones that made her the perfect choice to voice a series
of ‘Postcards from Jordan’ radio programming features in which she enthused, evangelised and
inspired the audience to consider one of the many types of holiday available in Jordan. Each feature
focused on a different style of holiday available.
The features formed the central element of the branded content at the heart of a month long partnership with Smooth Radio London and Smooth Radio Northwest. Sound selected the Smooth
Radio stations owing to their programming style fitting the messaging tone, their proximity to major
airports carrying flights to Jordan and because of their highly relevant ABC1, travel-loving audience.
The series of Nadia’s features were ‘wrapped’ with Smooth Radio and Jordan Tourism co-branding
to leverage powerful station endorsement and to ensure standout from commercial messaging.
To maximise the reach amongst Smooth Radio listeners and to ensure they understood the core
message of breadth of holidays available, the features were broadcast with high frequency,
across all key shows over a sustained period of 4 weeks, taking the activity beyond a traditional
radio promotion execution.
Each features’ out-tag also contained the callto-action, driving the listener online to further
engage with key destination information and to enter a competition for a chance to win one of two
all-expenses paid trips to Jordan. With the entry point being housed online, we were able to deliver
brand engagement visibility to the client and also provide valuable data capture for future Jordan
Tourism marketing.
The advertorial and competition was promoted in the Smooth Radio newsletter which went out to
over 46,000 subscribed listeners.
Alongside the partnership with Smooth Radio, Sound supported the campaign with broadcast
PR tactics to deliver editorial coverage for Jordan Tourism across highly relevant online media. We
produced a live, interactive WebTV show featuring a panel of Jordan experts - Matthew Teller, travel
writer and author of Rough Guide to Jordan and David Symes from Jordan Tourist Board. Matthew
and David were steered by our presenter throughout the live show, discussing the wonders of a
Jordanian trip and answering both pre-registered and live online user questions.
The show was pre-promoted across a number of travel related sites and portals, where we
encouraged registration of questions and created the appointment to view live. The show itself
was simulcast live across the sites and went on to become on-demand content, extending the
campaign reach.
The on-demand version of the WebTV show was also utilised as further content for the Smooth
Radio partnership, being placed within the online advertorial alongside the competition, complementing the on-air activity.
Wednesday, February 16. 2011
UK becomes electric car epicentre
markettiers4dc were in the driving seat for the biggest automotive announcement of 2010 as Nissan announced it would be producing the world’s first affordable mass produced zero emission car - the LEAF - at their acclaimed Sunderland plant.
The formal announcement from Government & Nissan’s Global VP, Andy Palmer placed the UK and the North East region at the heart of the electric vehicle revolution signaling one of the biggest landmarks in British motoring history.
With just days separating the project green light and the public announcement, markettiers4dc immediately undertook an audit of existing B-Roll, repackaging it to ensure all broadcasters could showcase the LEAF in its entirety, accentuating functionality and ‘normality’ to dispel commonly held ideas of what electric cars look like. Three key Nissan executives were strategically placed around the UK (accompanied by their own markettiers4dc team and crew) to maximise all filming & coverage opportunities
The announcement and broadcast coverage thereof dominated the news agenda throughout the day despite other major government backed motoring announcements airing the same day. Nissan and the new LEAF garnered some of the strongest brand-owned automotive coverage seen in recent years with highlights including reports from Sky News, BBC One (1 o’clock News, 6 o’clock News), ITV Evening News featuring interviews beside the production line at Sunderland, down the line interviews to BBC Breakfast, GMTV, BBC World News, ITN, continuous rolling bulletins and B-Roll on all key 24 hour news channels plus a combined radio audience just shy of 40m. Working collaboratively with a forward-thinking client on a landmark story, markettiers4dc and Nissan ensured very few households missed the good news that Britain would be leading the electric car revolution into 2011 and beyond.
Rolls-Royce Motor Cars Communicates Sales Success Story
Rolls-Royce Motor Cars, the pinnacle luxury brand, entrusted markettiers4dc with handling the global TV and radio coverage for their Annual Results announcement on Monday 10th January 2011.
Sales of the brand had more than doubled from the previous year, setting a new record despite a widespread sales slump among other companies in the automotive sector.
We set up 13 top-tier broadcast interviews for Chief Executive, Torsten Müller-Ötvös, who based himself at our London studios for much of the day where he also undertook several press interviews.
The day was the culmination of a comprehensive four-week media relations exercise which saw us brief all the key global business broadcasters with tailored storylines and provide them with B-Roll of the Rolls-Royce Phantom and Ghost models on the road and on the company’s Goodwood production line.
As part of our outreach we ensured the CEO was live on CNN’s World Business Today, CNBC Europe, Sky News’ Jeff Randall Live and BBC World TV’s World Business Report, while he did down the line interviews from markettiers4dc’s own TV studio into Bloomberg TV’s On The Move, the 24-hour German news and business news channel NTV, BBC TV News and City 7 TV in Dubai’s
Inside Business.
We also filmed at Rolls-Royce’s Mayfair dealership with China’s CCTV and leading German station ZDF, while Reuters filmed a package with a Phantom which they subsequently fed to all their 400 TV station clients worldwide plus online and print
news subscribers.
The CEO’s four radio interviews were with Radio 4’s Today programme, Radio 5’s Wake Up To Money, BBC World Service Radio’s World Business News and BBC Scotland’s business news.
Meanwhile we set up ITV News’ China Correspondent, Angus Walker, to film at Rolls-Royce’s Beijing dealership and ITV Meridian, invited to film at Goodwood, ran the story in their main evening and late night news programmes.
We knew this was a big story,” commented Nigel Wonnacott product PR manager Rolls-Royce Motor Cars, “And we needed an agency to reflect that with coverage in all regions in which Rolls-Royce is represented. Markettiers4dc made that happen. We were delighted with the results.”
2010 was a fascinating year for the UK motor industry, with the end of the Government scrappage sales scheme, a major electric vehicle (EV) production announcement and some startling sales figures for brands at either end of the car market. Markettiers4dc helped to tell just some of these compelling stories through its unrivalled broadcast relationships and expertise.
Thursday, February 10. 2011
The world of broadcast technology continues to evolve. And whilst it’s often to the benefit of the operators and editors, at markettiers4dc our focus is the exploitation of technological advancements for our clients.
Broadcasting online from our studios and outside locations, has for a number of years been a staple of our output; putting clients much more in control of the media messaging, whilst remaining within the editorial boundaries of the media owners we work with. And this month we took it a step further by unveiling our new virtual studio.
For brands, building a bespoke studio for each broadcast in a traditional sense would be cost prohibitive, but with our new virtual broadcasting environments this is now a truly viable option.
As well as being able to offer our clients a number of standardised virtual sets, from business sets to softer lifestyle sets, we can also create tailor made environments. Using this exciting technology means that you can completely transform the size of the studio and move from around the set in a single frame. There is also the opportunity to combine virtual elements with real world-spaces – there is literally no limit on how your brand can be integrated within the set without distraction to the audience or your key messages.
As Scott Jackson, Head of Production puts it: "We’re really excited at the launch of our Virtual Studio. We’ve been championing the opportunity for brands to create their own broadcast content for online for many years. However, they can now take the studio environment to a whole new level by easily customising the set so that it becomes individually crafted for their needs. Whether the intention is for external or internal communications, this is something we encourage all of our clients to explore."
As well as the virtual studio, we’re embracing new digital work flows which allows us to incorporate tapeless production and output to either HD or standard definition, depending on the requirements.
These new developments will completely transform the level of scope that our studio facility provides and will see our clients firmly at the forefront of broadcasting.
For more information contact Scott Jackson or Emily Conway on 020 7253 8888.